Sunday Service @
[from: Prayers To Protest: Poems that Center & Bless Us,
Jennifer Bosveld, ed. (Jonestown, OH: Pudding House Publications,1998)]
Call yourself by name
call yourself home
to the still note in your body’s core.
I will come meet you, tuning
till we are one sound.
If I raise my hand, eyes closed
you will raise yours, palm
meeting mine.
Call yourself swimmer
I will call myself sea.
Call yourself traveler
I will call myself road.
—MJ
Abell
—Diane
Gage
On the
table in the back I have laid out sixteen gifts from my home altar. As ratty as
some of them may appear, they are precious symbols for me of my path to this
point and at this transition I want to give them away. I wish I could give each
of you a token of my love and appreciation, but there are only sixteen items,
so sixteen of you will be the bearers of my gratefulness to this community of
teachers and friends. Periodically during the service I will say “Who has the
stone?” and I will raise my hand like this. I ask that whoever has the stone at
that moment hold it up into the air. One of the gifts thus becomes yours. You
will know which object is for you after just a moment’s thought. If I were you
I’d get right up and go choose one off the table, but if you want to wait until
the end of the service to choose, that is OK too. So sixteen times I will ask
and raise my hand, and sixteen times one of you will hold up the stone. Let me
just say that if you prefer not to take a gift, you may give the privilege to
someone else, then or later. Also if the object you have chosen seems after a
while to belong to someone else, give it to that person. Once you have chosen,
the object, whatever it is, is yours to do with as you will. I am letting these
things go. May they work magic in your lives as they have in mine. Finally, if
possible, I’d like to tell each of you sixteen a little about the object you
have chosen. So get with me after the service or e-mail or write me. Keep the
stone moving throughout the service, even during the hymns. And now for our
opening words from the poet Mary Oliver:
Look, the trees
are turning
their own bodies
into pillars
of light, are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go.
The Invitation
It doesn’t interest me what you do
for a living.
I want to know what you ache for, and if you dare to
of meeting your heart’s longing.
It doesn’t
interest me how old you are. I want to
know if you will risk looking like a fool for love, for your
It doesn’t
interest me what planets are squaring your moon.
I want to know if you have touched the center of your own
sorrow,
if you have been opened by life’s betrayals or have become
shriveled and closed from fear of further pain.
I want to know if you can sit with pain, mine or your own,
without moving to hide it or fade it or fix it.
I want to
know if you can be with joy, mine or your own,
if you can dance with wildness and let the ecstasy fill you
to the tips of your fingers and toes without cautioning us
to be careful,
to be realistic, to remember the limitations of being human.
It doesn’t interest me if the story
you are telling me is true.
I want to know if you can disappoint another to be true to
yourself;
if you can bear the accusation of betrayal
and not betray your own soul;
if you can be faithless and therefore trustworthy.
I want to
know if you can see beauty,
even when it’s not pretty, every day,
and if you can source your own life from its presence.
I want to
know if you can live with failure, yours and mine,
and still stand on the edge of the lake
and shout to the silver of the full moon,
“Yes!”
It doesn’t
interest me to know where you live or
how much money you have.
I want to know if you can get up, after the night of grief
and despair,
weary and bruised to the bone,
and do what needs to be done to feed the chil
It doesn’t
interest me who you know or how you came to be here.
I want to know if you will stand in the center of the fire
with me
and not shrink back.
It doesn’t
interest me where or what or with whom you have studied.
I want to know what sustains you, from the inside, when all
else falls away.
I want to know if you can be alone
with yourself and if you truly like the company you keep in the empty moments.
I love to drive. But
really only long distance, the longer the better. All during my growing up
years we made a three day trek every late spring, heading up to the summer
cottage on the
My parents
say that the first word that I ever said besides the questionably English “Da”
and “Ma” was “bump,” B-U-M-P, bump. I was one-ish, lying on the back seat of
the car on the way to the hospital. I had Roseola and we had just hit a
pothole. “Bump” I said, astutely.
Already I was analyzing the way of the road. Sixteen or so years later I
made a similar observation about road conditions. I was in an ambulance having
just suffered a compound fracture of my upper arm in a car accident. We were on
the Interstate spur heading for the same hospital and I could feel every “bump”
we encountered, even the tiniest ones. “This road sure is bumpy,” I said. At that time I preferred to ride than drive
myself. My Mom had to trick me into driving lessons. One day when I was
nineteen a driving instructor drove up to the house and forced me into the car.
I’m glad I learned. It’s practical. For instance, Wednesday I am driving myself
and my girlfriend Aoife, Tibetan terrier Keeper and Ocicat Pucci and some
possessions in a trailer the thirteen or so hours back to
Driving has
been a great teacher to me about certain technical aspects life. Something I
heard on the early Bill Cosby album “Why is There Air” got me started
discovering driving aphorisms. He does a little sketch called “The $75 Car.” At
one point he is making a long drive back to
Back in
January, Aoife and I had a crazy drive back from
The January
before this, back in 2001, I was fooling around at my seminary in
I lived for
a while on the other side of a mountain from my job at
So what you
have to do is this driving thing that is very much a life thing also. I call it
grounding and focusing. I remember the day it occurred to me that this is what
it means to “be grounded.” We pagans talk about grounding a lot. Well,
ironically, driving helped me understand. When you say to yourself, “OK, here
we go,” you are grounding. You have that sinking down and focusing feeling. You
see your goal. You are one with the machine. You are close to the ground and
you are taking that curve as if it were itself also a part of who you are. You
do not have accidents if you drive that way. Well, you always have to watch out
for the other guy. But if you are grounded and focused, you are good to go. You
will make it through the autocross at Navy Pier in
The fact
is, the car metaphor has been prominent in my experience here. First there was
Thandeka, professor at my school and a big pain—a very smart and intuitive and
correct pain, but a pain none the less—who said to me “Your problem, Margie, is
that you have your foot on the brake.” Then there was Keeper, my dog, who was
the second person I said “I’m the minister” to and said it pounding the
steering wheel. And then there was the drive down
I met
someone while I was here who likes to drive because when she is driving she can
be absolutely and completely alone and unconnected. She can be totally in
control on the curves as on the straightaways. She can be in her head and not
her body. She can explain things to herself without having to endure any
dialogue, without the interference of other opinions or ideas. She can be in
between places in a space which requires absolutely nothing of her. She can be
in the way back seat of her childhood pretending not to be in this family. She
can have no connections. I met this person on a retreat I took in January and I
came to know her better during a solo weekend at Murray Grove, our UU
conference center on the
I mention
the Defender because she perhaps represents the part of me that loves to drive.
Thinking about her in relation to driving and to all the lessons about life and
driving that I have shared with you this morning brought me to the realization
that my love of driving is related to a very old feeling that I have no home in
the world. This feeling of homelessness got worse when my parents died and I
cleaned out and sold their home and moved to
I want to
reach back for a minute to my very first sermon in this space. It was about
labels, masks and identity. I told the story of how in addition to losing my
journal, planner and wallet to a thief, I had also stepped on and crushed a
gourd rattle I had made for myself for my fortieth birthday the year my mother
died. I described it in the sermon as a “spirit egg” which had broken in order
for something to come to life. I kept the pieces on the altar in my office all
year long. Friday night it occurred to me that I could repair it. I was
thinking as I glued it back together (not a hard fix really) that it was now a
far more powerful tool, full as it now is of all you have taught and given me.
It will replace the defender’s sword in my work. It now contains heart and
home. Thank you for the hard work you and your predecessors at this church have
done to make this a place where ministry can really happen, where an intern and
her Shadow can meet and talk, where a new dimension of identity can take shape,
where love and support are a given and the road to the true work open and free
of obstacles. “Call yourself traveler/ I will call myself road,” our chalice
lighting words went. I hope I was as gentle and exhilarating a road for you as
you were for me.
I want to show you the mask I made with my
covenant group in the snowy winter. The defender’s face and mine are in the
process of merging to create the mask of minister I will wear in one form or
another for as long as hope lives in me. This face will change, soften perhaps
or change colors, but here is the minister you have made. Thank you for the
magic you have wrought. [Puts on mask]
AMEN.
CLOSING WORDS
[from: Prayers To Protest: Poems that Center & Bless Us,
Jennifer Bosveld, ed. (Jonestown, OH: Pudding House Publications,1998)]
First, build a long, low
gradually rising
ramp.
Hunt, scrounge, sweat, drag, mix, paste,
measure, pound, paint, polish, decorate.
Drink. Eat. Rest.
Then when it’s all done and painted green,
on a windy day,
RUN UP IT AS FAST AS YOU CAN!
As you run, flap your winging arms,
sprout feathers, round your body,
sleeken your thinning legs, reverse elbows and knees and
triumvirate the toes of what used to be your feet.
That’s it!
Remember your nest, and what your mother taught you.
Fly!
© Margie Allen, Summer Minister
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